Black History Month: Person Of The Day - February 9, 2010
M.D. Wright
2.9.10
***EDITOR'S NOTE: Black History Month Series Continued.
Today's Person Of The Day:
ARTURO ALFONSO SCHOMBURG.
Arturo Alfonso Schomburg was born in Puerto Rico on January 24, 1874. He began his education in a primary school in San Juan, where he studied reading, penmanship, sacred history, church history, arithmetic, Spanish grammar, history, agriculture and commerce. Arturo's fifth-grade teacher is said to have told him that "Black people have no history, no heroes, no great moments." Because of this and his participation in a history club, Schomburg developed a thirst for knowledge about people of African descent and began his lifelong quest studying the history and collecting the books and artifacts that made up the core of his unique and extensive library.
Schomburg came to New York in April 1891 and lived on the Lower East Side.
He was involved in the revolutionary movements of the immigrant Cubans and Puerto Ricans living in that area, regularly attending meetings and working at odd jobs while attending night school at Manhattan Central High School. Schomburg became a Mason and met bibliophile and journalist John Edward Bruce. "Bruce Grit" introduced Schomburg to the African-American intellectual community and encouraged him to write about African world history and continue to increase his knowledge.
Arturo Schomburg would look everywhere for books by and about African people. He also collected letters, manuscripts, prints, playbills and paintings. He was especially proud of his collection of Benjamin Banneker's Almanacs. In fact, his library contained many rare and unusual items from all over the world. The history of the Caribbean and Latin America and the lives of heroic people in that region was also an area of special interest to Schomburg. And he actively sought any material relative to that subject.
Schomburg's collection became the cornerstone of The New York Public Library's Division of Negro Literature, History, and Prints. He frequently loaned objects from his personal library to the 135th Street Branch of The New York Public Library, which was a center of intellectual and cultural activity in Harlem. In 1926 his collection of 10,000 items was purchased by the Library with the assistance of the Carnegie Corporation. He was later invited to be the curator of the new division which included his collections.
He became involved in the social and literary movement that started in Harlem, known as the "Harlem Renaissance." which spread to African-American communities throughout the country. Schomburg fully shared his knowledge of the history of peoples of African descent with the young scholars and writers of the New Negro movement. One of his primary motivations was to combat racial prejudice by providing proof of the extraordinary contributions of peoples of African descent to world history. Schomburg wrote, "I depart now on a mission of love to recapture my lost heritage."
You know me. I LOVE WRITERS, being of their ilk myself. And of course, given that Schomburg is a Harlem legend, I know quite a bit about his works, contributions to the literary arts, as well as other aspects of Black culture. And yes, he was one of those Black Puerto Ricans that people seem to fail to realize exist. What makes his contributions unique were his perspective as the son of a freed Black Puerto Rican slave woman and a German father who had emigrated to Puerto Rico. He spoke fluent Spanish and began teaching it to New Yorkers (remember, other than shortly after the Spanish-American War in 1898 and the en masse immigration of Puerto Ricans into New York in 1917, there weren't many Spanish speakers in New York City during Schomburg's time). He is definitely an inspiration to me all around and hopefully I can recreate some of his efforts in writing, being a historian and teaching Spanish (ha).
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Wednesday, February 10, 2010
Black History Month: Person Of The Day - February 8, 2010
Black History Month: Person Of The Day - February 8, 2010
M.D. Wright
2.8.10
***EDITOR'S NOTE: Black History Month Series Continued.
Today's Person Of The Day:
PAUL LAURENCE DUNBAR.
Biography Borrowed From Online:
Paul Laurence Dunbar was one of the first African-American poets to gain national recognition. He was born in Dayton, Ohio, on June 27, 1872, to Joshua and Matilda Murphy Dunbar, freed slaves from Kentucky. His parents separated shortly after his birth, but Dunbar would draw on their stories of plantation life throughout his writing career. By the age of fourteen, Dunbar had poems published in the Dayton Herald. While in high school he edited the Dayton Tattler, a short-lived black newspaper published by classmate Orville Wright.
Despite being a fine student, Dunbar was financially unable to attend college and took a job as an elevator operator. In 1892, a former teacher invited him to read his poems at a meeting of the Western Association of Writers; his work impressed his audience to such a degree that the popular poet James Whitcomb Riley wrote him a letter of encouragement. In 1893, Dunbar self-published a collection called Oak and Ivy. To help pay the publishing costs, he sold the book for a dollar to people riding in his elevator.
Later that year, Dunbar moved to Chicago, hoping to find work at the first World's Fair. He befriended Frederick Douglass, who found him a job as a clerk, and also arranged for him to read a selection of his poems. Douglass said of Dunbar that he was "the most promising young colored man in America." By 1895, Dunbar's poems began appearing in major national newspapers and magazines, such as The New York Times. With the help of friends, he published the second collection, Majors and Minors(1895). The poems written in standard English were called "majors," and those in dialect were termed "minors." Although the "major" poems outnumber those written in dialect, it was the dialect poems that brought Dunbar the most attention. The noted novelist and critic William Dean Howells gave a favorable review to the poems in Harper's Weekly.
This recognition helped Dunbar gain national and international acclaim, and in 1897 he embarked on a six-month reading tour of England. He also brought out a new collection, Lyrics of Lowly Life (1896). Upon returning to America, Dunbar received a clerkship at the Library of Congress in Washington, DC, and shortly thereafter he married the writer Alice Ruth Moore. While living in Washington, Dunbar published a short story collection, Folks from Dixie, a novel entitled The Uncalled, and two more collections of poems, Lyrics of the Hearthside and Poems of Cabin and Field (1899). He also contributed lyrics to a number of musical reviews.
In 1898, Dunbar's health deteriorated; he believed the dust in the library contributed to his tuberculosis and left his job to dedicate himself full time to writing and giving readings. Over the next five years, he would produce three more novels and three short story collections. Dunbar separated from his wife in 1902, and shortly thereafter he suffered a nervous breakdown and a bout of pneumonia. Although ill and drinking too much in attempt to soothe his coughing, Dunbar continued to write poems. His collections from this time include Lyrics of Love and Laughter(1903), Howdy, Howdy, Howdy (1905), and Lyrics of Sunshine and Shadow(1905). These books confirmed his position as America's premier black poet. Dunbar's steadily deteriorating health caused him to return to his mother's home in Dayton, Ohio, where died on February 9, 1906, at the age of thirty-three.
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M.D. Wright
2.8.10
***EDITOR'S NOTE: Black History Month Series Continued.
Today's Person Of The Day:
PAUL LAURENCE DUNBAR.
Biography Borrowed From Online:
Paul Laurence Dunbar was one of the first African-American poets to gain national recognition. He was born in Dayton, Ohio, on June 27, 1872, to Joshua and Matilda Murphy Dunbar, freed slaves from Kentucky. His parents separated shortly after his birth, but Dunbar would draw on their stories of plantation life throughout his writing career. By the age of fourteen, Dunbar had poems published in the Dayton Herald. While in high school he edited the Dayton Tattler, a short-lived black newspaper published by classmate Orville Wright.
Despite being a fine student, Dunbar was financially unable to attend college and took a job as an elevator operator. In 1892, a former teacher invited him to read his poems at a meeting of the Western Association of Writers; his work impressed his audience to such a degree that the popular poet James Whitcomb Riley wrote him a letter of encouragement. In 1893, Dunbar self-published a collection called Oak and Ivy. To help pay the publishing costs, he sold the book for a dollar to people riding in his elevator.
Later that year, Dunbar moved to Chicago, hoping to find work at the first World's Fair. He befriended Frederick Douglass, who found him a job as a clerk, and also arranged for him to read a selection of his poems. Douglass said of Dunbar that he was "the most promising young colored man in America." By 1895, Dunbar's poems began appearing in major national newspapers and magazines, such as The New York Times. With the help of friends, he published the second collection, Majors and Minors(1895). The poems written in standard English were called "majors," and those in dialect were termed "minors." Although the "major" poems outnumber those written in dialect, it was the dialect poems that brought Dunbar the most attention. The noted novelist and critic William Dean Howells gave a favorable review to the poems in Harper's Weekly.
This recognition helped Dunbar gain national and international acclaim, and in 1897 he embarked on a six-month reading tour of England. He also brought out a new collection, Lyrics of Lowly Life (1896). Upon returning to America, Dunbar received a clerkship at the Library of Congress in Washington, DC, and shortly thereafter he married the writer Alice Ruth Moore. While living in Washington, Dunbar published a short story collection, Folks from Dixie, a novel entitled The Uncalled, and two more collections of poems, Lyrics of the Hearthside and Poems of Cabin and Field (1899). He also contributed lyrics to a number of musical reviews.
In 1898, Dunbar's health deteriorated; he believed the dust in the library contributed to his tuberculosis and left his job to dedicate himself full time to writing and giving readings. Over the next five years, he would produce three more novels and three short story collections. Dunbar separated from his wife in 1902, and shortly thereafter he suffered a nervous breakdown and a bout of pneumonia. Although ill and drinking too much in attempt to soothe his coughing, Dunbar continued to write poems. His collections from this time include Lyrics of Love and Laughter(1903), Howdy, Howdy, Howdy (1905), and Lyrics of Sunshine and Shadow(1905). These books confirmed his position as America's premier black poet. Dunbar's steadily deteriorating health caused him to return to his mother's home in Dayton, Ohio, where died on February 9, 1906, at the age of thirty-three.
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Black History Month: Person Of The Day - February 7, 2010
Black History Month: Person Of The Day - February 7, 2010
M.D. Wright
2.7.10
***EDITOR'S NOTE: Black History Month Series Continued
Today's Person Of The Day:
PATRICIA ROBERTS HARRIS.
M.D. Wright
2.7.10
***EDITOR'S NOTE: Black History Month Series Continued
Today's Person Of The Day:
PATRICIA ROBERTS HARRIS.
Patricia Roberts Harris (1924-85), former cabinet official and the only woman to have headed three federal departments, joined the faculty of The George Washington University Law School in the fall of 1983. Harris graduated from the GW National Law Center at the head of her class in 1960, receiving her JD with honors.
"She is truly one of the most distinguished graduates of the school and one of the most distinguished women in public life," said National Law Center Dean Jerome A. Barron in announcing the appointment. "She brings great understanding of government, as well as experience in it, to the teaching of public law. She will be an excellent model for law students of what a lawyer can do to make a better society."
Harris, who taught Public and Constitutional law, served as secretary of Housing and Urban Development from 1977 to 1979, and was secretary of Health, Education and Welfare from August 1979 to May 1980. When a separate Department of Education was formed in May 1980, she became secretary of the Department of Health and Human Services, remaining in that post until January 1981.
Harris' government service began in 1960, when she joined the Department of Justice as a trial attorney following her admission to the District of Columbia bar. She returned to Howard University in 1961, where she had earned her B.A. summa cum laude in 1945, as dean of students and lecturer in law. Subsequently she became associate professor, professor and dean of the law school at Howard. She returned to government in 1965 when she was appointed U.S. ambassador to Luxembourg, serving until 1967. She also served as an alternate delegate to the 21st and 22nd General Assemblies of the United Nations.
Harris was a partner with the Washington and New York law firm of Fried, Frank, Harris, Shriver and Kampelman from 1970 to 1977. She has served as a director of the Chase Manhattan Bank, Scott Paper Co. and IBM, and she is a trustee of the 20th Century Fund. A member of Phi Beta Kappa and the Order of the Coif, Harris received an Alumni Achievement Award from GW in 1965. She was the first African-American woman to hold a cabinet post or to be a U.S. ambassador.
"We are delighted that the Honorable Patricia Roberts Harris has chosen to join our faculty," President Elliott commented on her appointment. "She returns to the campus where she earned honors as a brilliant student and now will bring unusual experience from the legal profession and public service for the benefit of the entire institution."
In 2000, Harris was honored with a commemorative stamp in the U.S. Postal Service’s Black Heritage series saluting outstanding African-Americans.
Black History Month: Person Of The Day - February 6, 2010
Black History Month: Person Of The Day - February 6, 2010
M.D. Wright
2.6.10
***EDITOR'S NOTE: Black History Month Series Continued.
Today's Person Of The Day:
CICELY TYSON.
A biography borrowed from online:
Born on Dec. 19, 1933, Tyson was raised in Harlem, NY by working class parents who originally hailed from the West Indies. Her family was very active in the church, where Tyson sang in the choir and played piano. Because her mother did not allow Tyson or her brother and sister to go to the movies, she would also spend Saturday evenings at the church. She graduated from Charles Evans Hughes High School and went on to land a secretarial job with the Red Cross, until one day, as show business legend has it, Tyson stood up from her desk and shouted “I’m certain God didn’t intend me to sit at a typewriter.” After attending a modeling course, she quit her secretarial job and rose to become one of the top black models in the United States, appearing on the covers of Vogue and Harpers Bazaar. A suggestion that Tyson parlay her striking looks into acting led to a few bit parts in movies in the late 1950s, but a more significant presence would soon be felt onstage.
Throughout her five-plus decade career on stage and screen, Cicely Tyson was known for her dedication to truthfully exploring the broad spectrum of the African-American experience. Tyson was at the forefront of a shift away from one-dimensional, negative screen stereotypes of black women with her starring role in “Sounder” (1972), which was groundbreaking in its portrayal of the dignity, strength and courage of a Depression-era African-American family. The acclaimed film and Tyson’s Oscar-nominated leading role opened the doors for a whole new era of black storytelling, and Tyson came to represent this strong and wise image of African-American women with revered performances in "The Autobiography of Miss Jane Pittman" (CBS, 1973) and “Roots” (ABC, 1977). Television movies offered the most opportunities for this actress with a mission, and she went on to recreate renowned moments and figures in African-American heritage in “King” (1978), “A Woman Called Moses” (1978), and “Heat Wave” (1990), among others. Whether playing an educated professional, the backbone of a challenged family, or a woman moved by an extraordinary sense of purpose, Tyson continually raised the standards of African-American imagery on film.
I have always admired Cicely Tyson's work. She is a poignant actress and her characters' roles always seem to stick with me. Whether it was on TV ("Women of Brewster Place"), Film ("Bustin' Loose"), or her work on broadway, spot cameos in TV shows, miniseries, and numerous awards nominations, you had to pay attention to Cicely Tyson. Even her latest work still rings a bell with me. She has done it the way few actresses do it anymore. I almost wonder if acting has become a lost art.
M.D. Wright
2.6.10
***EDITOR'S NOTE: Black History Month Series Continued.
Today's Person Of The Day:
CICELY TYSON.
A biography borrowed from online:
Born on Dec. 19, 1933, Tyson was raised in Harlem, NY by working class parents who originally hailed from the West Indies. Her family was very active in the church, where Tyson sang in the choir and played piano. Because her mother did not allow Tyson or her brother and sister to go to the movies, she would also spend Saturday evenings at the church. She graduated from Charles Evans Hughes High School and went on to land a secretarial job with the Red Cross, until one day, as show business legend has it, Tyson stood up from her desk and shouted “I’m certain God didn’t intend me to sit at a typewriter.” After attending a modeling course, she quit her secretarial job and rose to become one of the top black models in the United States, appearing on the covers of Vogue and Harpers Bazaar. A suggestion that Tyson parlay her striking looks into acting led to a few bit parts in movies in the late 1950s, but a more significant presence would soon be felt onstage.
Throughout her five-plus decade career on stage and screen, Cicely Tyson was known for her dedication to truthfully exploring the broad spectrum of the African-American experience. Tyson was at the forefront of a shift away from one-dimensional, negative screen stereotypes of black women with her starring role in “Sounder” (1972), which was groundbreaking in its portrayal of the dignity, strength and courage of a Depression-era African-American family. The acclaimed film and Tyson’s Oscar-nominated leading role opened the doors for a whole new era of black storytelling, and Tyson came to represent this strong and wise image of African-American women with revered performances in "The Autobiography of Miss Jane Pittman" (CBS, 1973) and “Roots” (ABC, 1977). Television movies offered the most opportunities for this actress with a mission, and she went on to recreate renowned moments and figures in African-American heritage in “King” (1978), “A Woman Called Moses” (1978), and “Heat Wave” (1990), among others. Whether playing an educated professional, the backbone of a challenged family, or a woman moved by an extraordinary sense of purpose, Tyson continually raised the standards of African-American imagery on film.
I have always admired Cicely Tyson's work. She is a poignant actress and her characters' roles always seem to stick with me. Whether it was on TV ("Women of Brewster Place"), Film ("Bustin' Loose"), or her work on broadway, spot cameos in TV shows, miniseries, and numerous awards nominations, you had to pay attention to Cicely Tyson. Even her latest work still rings a bell with me. She has done it the way few actresses do it anymore. I almost wonder if acting has become a lost art.
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